Read More“Mobley probes the words’ subtleties, expressing the son’s fear, disbelief, and sense of betrayal with unpretentious pathos” – Joseph Newsome, Voix des Arts
Read More“His swell from piano to forte is seamless, and the performance so convincing you’d think Britten wrote Canticle II for him and Mobley rather than his partner, Peter Pears, and Kathleen Ferrier” – Jason Victor Serinus, San Francisco Classical Voice
“Reginald Mobley brings beautiful sensitivity to the son who gradually comes to terms with the idea of being sacrificed” – Jarrett Hoffman, Cleveland Classical
Read MoreRead More“[Mobley and Giebler] bring fervent drama to these roles and merge voices to celestial effect as God” – Donald Rosenberg, Gramophone